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The couple wed in 1971 and embarked on a honeymoon, which Araki extensively photographed. Death and love would become two of the principal driving forces behind Araki’s profoundly human photography, and Yoko would become Araki’s most frequent photographic subject. Two events pivotal to Araki’s life and work took place in the late 1960s: his father died in 1967, and he met his future wife, Yoko Aoki, then working as a typist at Dentsu, the following year. While he found the work frustratingly dull, he made good use of Dentsu’s well-stocked facilities to pursue photography on his own time, going so far as to illicitly use the company’s photocopier to produce an early photobook. After graduation, Araki took a job as a commercial photographer for the advertising firm Dentsu. Satchin (1964) focuses on schoolchildren in the Shitamachi neighborhood of Tokyo, which remained largely unchanged amid the flurry of rapid urban transformation leading up to the 1964 Tokyo Olympics. The film he turned in as his final project, however- Children in Apartment Blocks (1963)-served as the germ for one of his earliest photographic series, for which he received an award from Taiyo magazine the following year. The regimented and technical nature of the program, then situated in the engineering department, was unappealing to the nonconforming Araki. The frenetic nature of his photographs, which he tends to shoot with very little preparation, is emblematic of the Japanese experience of World War II and its chaotic aftermath.Īraki entered Chiba University in 1959, majoring in photography and film. Araki’s wry, irreverent work, frequently employing sexual subject matter, has often ignited controversy and earned him a degree of notoriety. Such an abundant body of work defies easy categorization, an endeavor made all the more challenging by Araki’s experimentation with media including collage, film, and, more recently, Polaroid instant technology. 1940) has produced countless pictures and more than five hundred photobooks since 1970.
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One of the most prolific figures in the field of Japanese photography, Nobuyoshi Araki (b.